José Barata-Moura. Três Ensaios em torno do Pensamento Político e Estético de Álvaro Cunhal

Conferência de Leonel Ribeiro dos Santos

Professor Leonel Ribeiro dos Santos
Ideia de uma Poética da Razão
(com Kant em fundo)
10 de Fevereiro de 2014
Anfiteatro IV
Faculdade de Letras da Universidade de Lisboa
17h30

Søren Kierkegaard: exposição

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Kant e Kierkegaard: Conferência de René Rosfort

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International Lisbon Conference on Philosophy and Film

International Lisbon Conference on Philosophy and Film

Thinking reality and time through film

Call for Papers

7-10 May of 2014

CFUL - Centro de Filosofia da Universidade de Lisboa 

www.centrodefilosofia.com

Hosted by the Faculty of Letters of the University of Lisbon and the GoetheInstitut Lisbon

During the last two decades film has been increasingly recognized as a medium of philosophical reflection, in an ontological and epistemological perspective. But what does it mean to understand film as philosophizing? Can we access specific, reliable knowledge of the world and our relation to it through the aesthetic form of moving images? Considering film’s claim of continuity with the world - what is the essence of film and what is exactly its connection with reality?

Usually time and space are considered the essential constituents of film – yet they are as well our ontic and ontological condition to understand reality. In this context classical film theory and its philosophical development (Kracauer, Benjamin, Bazin, Cavell, and Deleuze) are reassessed with transcendental and speculative questions. Benjamin, for example, has pointed out how through the invention of film reality has lost its status of uniqueness and authenticity. What are the consequences of the implicit assertion to face the world as a contingent possibility out of many? And what about the ‘Myth of total cinema’ evoked by Bazin – the perfect artistic creation of a virtual world that conflates with reality? Space-time is the way, how we structure the world and orient ourselves in it. Different philosophers have been dealing with the aporia of time and approached its apparent negativity in distinct ways. For all of them the question about time implies a question about space and being, or, in other words, requires a reflection on the relation of motion and matter.

Film also evokes the phantasmagorical presence of something, which is absent, an immaterial after-death reality. In this sense, Barthes defined the photographed moment as an anticipation of the instant of the death of the objects and subjects depicted. The film negative is assembled out of 24 static frames per second—applied to Barthes’ theory that would be 24 instances of death. The immediate succession of the next frame creates than an apparent continuity. We can therefore only indirectly assist a stepping-beyond of natural time into death, at each frame. The disclosure of death in film is obscured by moving the images, creating an illusion of life. Bergson understood the illusionary mechanism of film as a paradox metaphor for the usual relation of mind and reality: that which is moving is made graspable through its opposite. For Heidegger the continuity of time is bound by the nexus of life (Lebenszusammenhang) given by Dasein. Connecting life and film, Deleuze raised the question of the world literally to be film, similar to Pasolini who claimed life as cinema in nature. Is being-in-the-world a being-in-film?

Another line of enquiry could be designated as the fascination with the reality effect, opening up a threefold domain: the ‘hypperreal’ vertigo pursued by technical constructions of the filmic realm and of spectatorship, such as 3D movies, digital camera and computer-generated images; the Lacanian distinction between reality and the Real, instrumental in Žižek’s theorizing of film; the paradoxical technical construction of a kind of image corresponding to a seeming natural perception in some ‘realistic’ cinema such as the works of the Portuguese filmmakers João Canijo or Pedro Costa, among others.

For general enquiries please contact filmtimereality@gmail.com

Filosofia e Arquitectura da Paisagem

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Wagner - Colóquio Concerto Cinema

Ou-Ou. Um Fragmento de Vida. (Primeira Parte). Lançamento

Fiora Salis: Fictionally Creating Fictional Characters

SEMINAR SERIES IN ANALYTIC PHILOSOPHY

2012-13: Session 9

Fictionally Creating Fictional Characters

Fiora Salis (LanCog Group, University of Lisbon)

19 de Abril de 2013, 15:00
Faculdade de Letras de Lisboa
Sala Mattos Romão (departamento de Filosofia)

Abstract: Upholders of fictional creationism claim that fictional characters are abstract entities created by the author of fiction through the activity of story telling. They recognize that story telling involves pretense and imagination, yet they claim that by pretending to refer to a fictional individual the author genuinely brings something into existence. I distinguish two kinds of creation, genuine creation and fictional creation. Genuine creation is the process of causing something to exist or bringing something into existence. Fictional creation (I claim) is the author’s origination, performed in story telling, of a practice of thinking and talking about the same thing, even though there is not such a thing. I argue that upholders of fictional creationism have not been able to offer any adequate account of the genuine creation of fictional characters. Alternatively, I offer an account of the fictional creation of fictional characters coherent with fictional irrealism.

Génesis del Tiempo en las Edades del Mundo (1813) de F.W.J. Schelling

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As sessões na Universidade de Lisboa decorrem no Anfiteatro III da Faculdade de Letras da mesma Universidade (FLUL).

Wagner: música e pensamento

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Conferências programadas (21 e 22 de Maio):

Adriana Veríssimo Serrão: "Wagner, intérprete de Feuerbach"; Beatriz Lobo: "Tristão e Isolda: o que diz a música quando diz alguma coisa?"; Carlos Couto Sequeira Costa: "la petite phrase totale" (presença a confirmar); Carlos João Correia: "Mitologias de Wagner no pensamento de Lévi-Strauss"; Christine Reeh: "Wagner e o Cinema Total – afectos para além do belo e do sublime"; Elisabete de Sousa: "Imediaticidade da linguagem musical: Kierkegaard, Schopenhauer e Wagner"; Jochen Hoerisch: "Theatre, theory, theology - Richard Wagner invents opera anew"; José MM Justo: "Visões do futuro: Feuerbach, Wagner e a história"; Paulo Borges: "Sábio pela compaixão, / o puro louco": compaixão, sabedoria e loucura no "Parsifal";  Maria Teresa Teixeira: "Paisagens wagnerianas"; Tobias Dangel: "The Concept of Art in Richard Wagners 'Die Meistersinger von Nürnberg'"

Este colóquio insere-se num conjunto de iniciativas organizadas pelos Estudos Germanísticos/Centro de Filosofia da Universidade de Lisboa e Biblioteca da Faculdade de Letras no âmbito das comemorações do bicentenário do nascimento de Richard Wagner (22 de Maio de 1813). 

De Kant a Aldo Leopold

Filosofia e Arquitectura da Paisagem: um manual

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Kierkegaard: Ou-Ou 1ªparte

Revelar a Paisagem

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Kierkegaard: Philosophy, Literature and the Challenges of Infinitude

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International Conference
Kierkegaard: Philosophy, Literature and the Challenges of Infinitude

October 25- 26, 2012

FLUL, Faculty of Humanities, University of Lisbon Room 5.2

Program

Thursday, October 25
9:30-9.45: Words of Welcome
Morning Session I: (moderator: José Miranda Justo)
9.45-10.15: (1) Pia Søltoft (U Copenhagen): Falling in Love with Existence
10.15-10.30: Discussion
10.30-11.00: (2) Marcio Gimenes de Paula (U Brasília): Love in Kierkegaard: discussions around eros, agape and philia
11.00-11:15: Discussion

11.15-11.30: Coffee break

11.30-11:50: (3) Post-graduate student 1 - Sara Eckerson (IFL, U Nova, Lisbon): Kierkegaard’s musical ideas: determinations and reconciliation of “A Cursory Observation” and “The Immediate Erotic Stages”
11.50-12.00: 12.00-12.30:
Liszt
12.30-12.45: 13.00-14.20:
Discussion
(4) Elisabete Sousa (CFUL, U Lisbon): Repetition in continual reference to
Discussion Lunch

Afternoon Session I: (moderator: Richard Purkarthofer)
14.30-15.00: (5) Poul Lübcke (U Copenhagen): An Infinity of Voices
15.00-15.15: Discussion
15:15-15:35: (6) Post-graduate student 2 - Ana Pinto Leite: Climacus' revocation: a dialogical perspective
15:35-15:45: Discussion
15.45-16.00: Coffee Break

6.45-17.15: (8)RobertoGaraventa (UChieti-Pescara): The aesthetic way of life between
boredom and search of the interesting
17.15-17.30: Discussion 17.30-18.10: Book launch
Migalhas Filosóficas, Portuguese translation by José Miranda Justo of Philosophiske Smuler, presented by Marcio Gimenes de Paula
Kierkegaard in Lisbon, presented by Richard Purkarthofer

Friday, October 26
Morning Session II: (moderator: René Rosfort)
9.45-10.15: (9) Oscar Parcero Oubinha (U Vigo): Loquere ut videam: “Guilty?”/”Not Guilty?” and The Writing of Irony
10.15-10.30: Discussion
10.30-10.50: (10) Post-graduate student 3 - Fernando Silva (CFUL, U Lisbon): “A
subjectivity raised to the second power”: Kierkegaard’s view of Schlegel’s concept of irony
10.50-11:00: Discussion 11.00-11.15: Coffee break
16:00-16.30: (7) Ingrid Basso: Infinitude and Freedom, Possibility and negation: the chance of a philosophical treatment of the concept of reality in Kierkegaard and the influence of the latest Schelling

11:15-11.45: (11) Bartholomew Ryan (U Nova, Lisbon): Into the Nothing, or conquering temporality with Kierkegaard and Pessoa
11.45-12:00: Discussion
12.00-12.20: (12) Post-graduate student 4 - Susana Janic (CFUL, U Lisbon): Prefaces as
polemical and fragmentary discourses
12.20-12.30: Discussion

12.45-14.15: Lunch
Afternoon Session II: (Moderator: Elisabete Sousa)

14.30-15.00: (13)RichardPurkarthofer(UWuppertal):Images of Infinitude
15.00-15.15: Discussion
15.15-15.35: (14)Post-graduatestudent 5-BrunoPeixeDias(CFUL,ULisbon):Existential Truths and Challenging Acts: The Antiphilosophy of Kierkegaard
15.35-15.45: Discussion 15.45-16:00: Coffee Break
16.00-16.30: (15)RenéRosfort(UCopenhagen):Fragile Personhood:Anthropology and Emotional Harmony in The Concept of Anxiety
16.30-16.45: Discussion
16.45-17.15: (16) José Miranda Justo (CFUL, U Lisbon): Kierkegaard’s Writing and
Infinitude: If we are finite, how can we relate or refer to infinitude.
17.15-17.30: Discussion 17.30: Final remarks 20:00: Dinner

For further information, please contact:
elisabetemdesousa@gmail.com josemmjusto@gmail.com c.filosofia@fl.ul.pt


Kierkegaard in Lisbon

Da Ética do Silêncio à Poética do Encontro

Paul Celan: Da Ética do Silêncio à Poética do Encontro
From an Ethics of Silence to the Poetics of the Encounter

18-19 de Outubro de 2012/18-19 October 2012

18th October (Thursday)


10:00-10:30: Opening session/Sessão de abertura: President of the Goethe-Institut, Lisbon: Dr. Joachim Bernauer, President of the Centro de Filosofia: Professor Doutor Pedro Calafate/Comissão Científica: Cristina Beckert, Carlos João Correia, Ricardo Gil Soeiro, Maria João Cantinho.



10:30-11:15: Conference 1: Danielle Lévinas [Université Paris IV Sorbonne]: “Bénédiction!” - Derrida, Levinas, Blanchot devant la langue poétique de Celan” (45 min.)
12:00-12:45: Conference 2: Yvette Centeno [Universidade Nova de Lisboa, Portugal]: Paul Celan: o poder do contágio (45 min.)
12:45-13:15: Discussion.


13:15-14:30: Lunch.


14:30-15:15: Conference 3: António Guerreiro [Universidade Lusófona, Portugal]: A poetologia de Celan, nas fronteiras da estética, da poética e da filosofia (45 min.)
15:15-15:30: Discussion.
15:30-15:45 Coffee-break.


15:45-16:15 Conference 4: Ricardo Gil Soeiro [Faculdade de Letras da Universidae de Lisboa, Portugal]: Constelações de ausência: o silêncio de Deus em Celan, Bak e Jonas (30 min.)
16:15-16:45 Conference 5: Maria João Cantinho [IADE, Portugal]: “A morte é um mestre que vem da Alemanha” (30 min.)
16:45-17:15: Conference 6: Jorge Leandro Rosa [Universidade Lusófona, Portugal]: A Exasperação Infinita: experiência, destruição, apagamento (30 min.)
17:15-17:30: Discussion.


17:30-18:15: Conference 7: Cristina Beckert (FLUL): O entretempo do poema: Celan e Levinas (45 min.)
18:15-18:30: Discussion.


19:30-20:30: Dinner.
21:00: Poetry Soirée: Paul Celan.

Programme

International Colloquium

Paul Celan: Da Ética do Silêncio à Poética do Encontro
From an Ethics of Silence to the Poetics of the Encounter

19th October (Friday)


10:15-11:00: Conference 8: Clayton Crockett [University of Central Arkansas, Estados Unidos] Interrupting Heidegger: Celan’s Poetry in Derrida’s Thought (45 min.)
11:00-11:45: Conference 9: Arnau Pons (Spain): “Von Schwelle zu Schwelle”: nuevas propuestas de sentido (45 min.)
11:45-12:15: Discussion.


12:30-14:00: Lunch.


14:00-14:30: Conference 10: Carlos João Correia [FLUL, Portugal]: Gadamer, leitor de Celan (30 min.)
14:30-15:00: Conference 11: Maria Lucília Marcos  (Universidade Nova de Lisboa, Portugal): Com a Morte, Escrever a Vida (30 min.)
15:00-15:30: Discussion.



15:30-16:00: Conference 12: Peter Hanenberg [Universidade Católica Portuguesa, Portugal]: Paul Celan e Peter Weiss: Para uma estética da resiliência (30 min.)
16:00-16:30: Conference 13: Gilda Encarnação (FLUL): Proximidade Estranha. Formas de diálogo na poesia e na poética de Paul Celan (30 min.)
16:30-17:00: Discussion.


17:00- 17:30: Coffee-break.



17:30-18:15: Conference 14: Jerôme Lèbre (Collège des Études Juives et Contemporaines de l'Université Sorbonne, IV: Vol annulé: témoignage et attachement au monde chez Ingeborg Bachmann et Paul Celan (45 min.)
18:15-18:45: Conference 15: Barbara Wiedemann [Tübingen Universität]: »…vom Unbestattbaren her«. Celans Auseinandersetzung mit dem Antisemitismus der Linken im Spätwerk (45 min.)
18:45-19:15: Discussion/Closing.

Visões da Natureza no Oriente

No âmbito das actividades do Projecto FILOSOFIA E ARQUITECTURA DA PAISAGEM, temos o prazer de anunciar a realização do Seminário Permanente XIII, com o título, "Visões da Natureza no Oriente", que terá lugar na Fundação Oriente no dia 13 de Outubro. 

Teremos o prazer de contar com as contribuições das investigadoras Ana Cristina Alves, Marta Pedro e Daniela Kato.

A entrada é livre e sujeita a inscrição. Mais informações sobre os conferencistas e as sinopses das respectivas comunicações aqui.

Este Seminário inaugura o curso sobre Jardins Japoneses ministrado pelo investigador do projecto Tiago Mesquita Carvalho, a ter lugar nas semanas seguintes na Fundação Oriente.

O Olhar Criativo de Pedro Calapez

Pedro Calapez na Faculdade de Letras - 25 de Junho (18h - Anf. IV) - Visionamento do documentário "Trabalho do Olhar" seguido de conversa com o artista.
Organização do Núcleo de Filosofia da Faculdade de Letras da Universidade de Lisboa